Identity

I am a critical and artistic designer, striving to create thought-provoking experiences. After scrutinizing a complex issue to its core and from different angles, I find ways to express and present it to an audience in a unique and engaging way. By designing narratives, items, installations and spaces, I seek to shed light upon a subject matter in a way that is pleasant and inviting to the user and will make them experience and comprehend an underlying theme in a deeper way.
 
I am an independent and hard worker, who values freedom and creativity above rules and guidelines. While I dislike being micro-managed or restrained, I excel collaborating with peers working towards a shared goal. I can often bring excitement, fresh ideas and alternate solutions to the table and am very grateful to be able to learn from and engage with people possessing other expertises. Although I am typically uninterested in leading a group, I do find myself take on managerial roles within teams like keeping track of the big picture and making sure teammates are working on tasks that motivate them.
 
In the realization of an idea my expertise is in the visual. My whole life I have loved drawing, illustration and art. I complement this with an understanding of programming and user interaction which I can use to implement interactivity in my work. I am seeking to learn about motion and animation to further expand my skillset in communication design.

Vision

In travel, a sense of wonder can sometimes take a hold of me. This can be for the intricate patterns found in the natural world or the collective fictions governing culture. Encounters like this can sometimes trigger a state of amazement that makes one realize, question or understand something new about themselves or how they relate to their surroundings. As a designer I aim to facilitate a similar type of experiences.
 
In a society that seems increasingly polarized, I see great worth in exploring alternate ways of sharing ideas. Design has incredible ability to make concrete and experiential what has been, would be or could be. Through imagination and philosophy, I hope to inspire to creative thinking and considering new perspectives. By providing nuance and context, I intend to promote being critical and forming individual ideas. In storytelling and illustration, I aim to communicate more effectively and comprehensively. I believe that approaches like these can make people connect to the world and each other in a deeper way.
 
Technology can be one of the ways to achieve this. Although technology can be used to spread an idea to the world at the blink of an eye, it can also be employed to allow new ideas to slowly sprout through carefully crafted interaction.

How I became the designer I am today? Read my reflections on Industrial Design

Portfolio highlights

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  • Museum door de Stad
    2019-2020​

    When Eindhoven Museum asked our team to contribute to an interactive pop-up museum, we gratefully jumped on the opportunity. We realized a collection of installations that allow visitors to experience the history of Eindhoven and invite them to share their own views on past, present and future societal developments. In subsequent years we altered the content of the installation to fit new themes.

    Pictures: Barbara Medo, Max Kneefel
  • Chair 92
    2018

    After the decision was made to replace over 53.000 chairs in the Amsterdam ArenA, one of these chairs found itself in the hands of a group of Industrial Design students. They gave this stadium chair a second life as a design object. Through engravings reminiscent of tattoos, the chair now expresses its many experiences, telling the story of more than 20 years of sports and music highlights in the Amsterdam ArenA.

    Pictures: Emma Driesse, Maarten Versteeg
  • Meat You
    2020

    Through various design iterations I learned more about how exactly we relate to meat in our society. This finally enabled me to form a nuanced discursive narrative that supports self-reflection and debate on ones own practices. In this restaurant concept guests are invited to help kill and prepare their own meat in a more intimate, honest and respectful way and to face the dissonant emotions this process entails.
  • Robocue
    2018

    This course offered the opportunity to collaborate in an interdisciplinary team with students from different engineering disciplines within TU/e. I was able to apply myself managing the process and communicating our ideas while learning exciting new skills from people with different expertise. Together we built a working prototype billiards cue for bilateral amputees.
  • Visualisations of sound
    2016

    Sound, like so many things in the world when looked at through the lens of physics, is governed by waves and vibrations. Fervent pondering together with different artists and scientists as well as relentless scientific and artistic experimentation led to the conception of this art installation which seeks to enable us to see with our eyes the vibrations we normally only hear with our ears.

More? See all projects I was a part of

Contact

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